[141], Jamaicans who worked as migrant agricultural workers in the southern US returned with R&B records, which sparked an active dance scene in Kingston. That said, who are best doo-wop groups of all time? Welcome to Cape Entertainment Agency, Inc., the Premier Celebrity Talent Agency for Doo Wop, 50s, 60s, 70s and 80s for over 50 years. [105] Judy Craig, fourteen years old, was the lead singer, singing with Patricia Bennett and Barbara Lee, both thirteen. In 1949, Jerry Wexler, a reporter for Billboard magazine at the time, reversed the words and coined the name "Rhythm and Blues" to replace the term "Race Music" for the magazine's black music chart. This angered white supremacists, who considered rhythm and blues and rock and roll a danger to America's youth. It eventually reached number 3 on both the R&B Best Sellers chart and Billboard Top 100,[133][134] and also reached the top five on both the sales and airplay charts. DOO: Director of Operations (various organizations) DOO: Driver Only Operation: DOO: Department Organization Order: DOO: Developer, Owner and Operator: DOO: District Operations Office (US Navy) DOO: District Ordnance Officer (rank; US DoD) DOO: Department of Defense Originating Office (US DoD) DOO: Drustvo s Ogranicenom Odgovornoscu (Croatian: Limited More than 250,000 words that aren't in our free dictionary The Doo Wop Groups The Danleers Top: l to r: Roosevelt Mays, Nat McCune Bottom (l to r) Willie Ephraim, Jimmy Weston, Johnny Lee The Danleers formed while teenagers in Brooklyn in 1958. Crier was a founding member of a doo-wop group called the Five Chimes, one of several different groups with that name,[108] and sang bass with the Halos and the Mellows. Hundreds of thousands of southern African Americans migrated to the metropolitan area, bringing their secular and religious folk music with them. These were Philadelphia's two major black radio stations; they were black-oriented, but white-owned. During the early 1960s, Scepter was the most successful independent record label. One of the members lived across the street from Sonny Til, who went on to lead the Orioles, and their success inspired the Oakaleers to rename themselves the Swallows. develop their business skills and accelerate their career program. Many of these vocal groups got together in secondary schools such as West Philadelphia High School, and performed at neighborhood recreation centers and teen dances. [188], Audio playback is not supported in your browser. ", which was recorded by the Shirelles and rose to number 1 on the Billboard Hot 100 chart in 1961. Doo-wop groups achieved 1951 R&B chart hits with songs such as "Sixty Minute Man" by Billy Ward and His Dominoes, "Where Are You?" [162], New York rockers Lou Reed, Joey and Tommy Ramone, and Chris Stein were doo-wop fans, as were many other Jewish punks and proto-punks. [85], In 1962, Frank Zappa, with his friend Ray Collins, wrote the doo-wop song "Memories of El Monte". [Part 4]", "A Doo-Wop Shop Prepares to Close, Signaling the End of a Fading Genre", "Street Corner Renaissance takes 'doo-wop' to new levels", "Review: Bruno Mars brings Moonshine Jungle to Staples Center", Learn how and when to remove this template message, https://en.wikipedia.org/w/index.php?title=Doo-wop&oldid=1134130236, Short description is different from Wikidata, Creative Commons Attribution-ShareAlike License 3.0. Like Charlie Brown and Yakety Yak by the Coasters, Smoke Gets in Your Eyes and The Great Pretender by the Platters, and Under the Boardwalk and On Broadway by the Drifters. "He's So Fine" hit No. They are considered as one of the pioneering doo-wop acts at that time, being the first black doo-wop a group to cross over the pop charts. One of the greatest doo wop groups of all time derived its name from the fabulous fowl. Bill Kenny, lead singer of the Ink Spots, is often credited with introducing the "top and bottom" vocal arrangement featuring a high tenor singing the intro and a bass spoken chorus. Frankie Lymon, lead vocalist of the Teenagers, was the first black teen idol who appealed to both black and white audiences. [70], Jack and Devora Brown, a Jewish couple, founded Fortune Records in 1946 and recorded a variety of eccentric artists and sounds; in the mid-1950s they became champions of Detroit rhythm and blues, including the music of local doo-wop groups. His album Modern Lovers 88 (1987), with doo-wop stylings and Bo Diddley rhythms, was recorded in acoustic trio format.[169]. In 1948, the Orioles, then known as the Vibra-Nairs, went to the city with Deborah Chessler, their manager and main songwriter, and appeared on the show. All of them were influenced by the Robins, a successful R&B group of the late 1940s and the 1950s who formed in San Francisco, or by other groups including the Flairs, the Flamingos (not the Chicago group) and the Hollywood Flames. [60], The Chicago doo-wop groups, like those in New York, started singing on street corners and practiced their harmonies in tiled bathrooms, hallways, and subways,[61] but because they came originally from the deep South, the home of gospel and blues music, their doo-wop sound was more influenced by gospel and blues. In 1962, the girls met songwriter Ronnie Mack at the after-school center; Mack suggested they add Sylvia Peterson, who had sung with Little Jimmy & the Tops, to the group. [38] Puerto Rican Herman Santiago, originally slated to be the lead singer of the Teenagers, wrote the lyrics and the music for a song to be called "Why Do Birds Sing So Gay? [94] Robinson founded or co-founded Red Robin Records, Whirlin' Disc Records, Fury Records, Everlast Records, Fire Records and Enjoy Records. Independent record labels owned by black entrepreneurs such as Dootsie Williams and John Dolphin recorded these groups, most of which had formed in high schools. They were originally called the Crazy Sounds, but were renamed by disc jockey Alan Freed as the Moonglows. [106], Public School 99, which sponsored evening talent shows, and Morris High School were centers of musical creativity in the Bronx during the doo-wop era. This list may not reflect recent changes. It climbed to number one on the RJR charts, where it spent some six weeks. Pages in category "Doo-wop groups" The following 195 pages are in this category, out of 195 total. Doo Wop. The genre reached the self-referential stage, with songs about the singers ("Mr. Bass Man" by Johnny Cymbal) and the songwriters ("Who Put the Bomp?" [184] An early notable revival of "pure" doo-wop occurred when Sha Na Na appeared at the Woodstock Festival. [144] Bunny Wailer cited Frankie Lymon and the Teenagers, the Platters, and the Drifters as early influences on the group. The Greatest Motown Artists Of All Time. According to ethnomusicologist Evan Rapport, before 1958 more than ninety percent of doo-wop performers were African-American, but the situation changed as large numbers of white groups began to enter the performance arena. 30 popular meanings of DOO abbreviation: 50 Categories Next Suggest to this list Related acronyms and abbreviations Share DOO Meaning page [40] Racially integrated groups with both black and white performers included the Del-Vikings, who had major hits in 1957 with "Come Go With Me" and "Whispering Bells", the Crests, whose "16 Candles" appeared in 1958, and the Impalas, whose "Sorry (I Ran All the Way Home)" was a hit in 1959. As the pivotal recording mogul in the Detroit area, Battle was an important player in the independent label network. The Greatest Musical Artists of All Time. Among the Du Droppers' most enduring songs are "I Wanna Know" and "I Found Out (What You Do When You Go Round There)", which both reached number three on the Billboard R&B charts in 1953. We have booked Celebrity Artists from coast to coast in the United States as well as England, France, Belgium, Netherlands, Brazil, Germany, Canada, Australia, Japan and almost everywhere else.. Vocal group singing was the most popular style of rhythm and blues in the early 1950's, the first music to be called "rock & roll" and the favorite of the the teenagers and disc jockeys. They identified with their own wards, street blocks and streets. It reached number 7 on the U.S. It's a style of smooth harmony singing without any, or with minimal, instrumental accompaniment, almost exclusively sung by male groups, and is notable for its simplicity, innocence, and joyousness. These include "Hearts of Stone" by the Fontaine Sisters (# 1), "At My Front Door" by Pat Boone (# 7), "Sincerely" by the McGuire Sisters (# 1), and "Little Darlin'" by the Diamonds (# 2). Street singing was almost always a cappella; instrumental accompaniment was added when the songs were recorded. A Daddy Cool Original Doo-Wop Ditty. They had frequent personnel changes and often moved from label to label hoping to achieve another hit. #25 of 100. [8], White artists such as Elvis Presley performed and recorded covers of rhythm and blues songs created by African American artists that were marketed to a white audience. [93] He used the tiny shop to launch a series of record labels which released many hits in the US. Vocal harmony groups such as the Ink Spots embodied this style, the direct antecedent of doo-wop, which rose from inner city street corners in the mid-1950s and ranked high on the popular music charts between 1955 and 1959. In 1957, songwriters Bob Crewe and also Frank Slay penciled a doo-wop ditty by the name of Daddy Cool. It reached number 11 on the US R&B chart in 1956. The record was a collection of classic doo-wop songs by bands that used to play at the dances Laboe organized at El Monte Legion Stadium in El Monte, California,[84] beginning in 1955. Although his entrepreneurial approach to the music business and his role as a middleman between black artists and white audiences created opportunities for unrecorded groups to pursue wider exposure,[162] he was reviled by many of the black musicians he dealt with. Same identical thing that started it the doowop groups down the street, in hallways, in alleys and on the corner. Battle's record labels included JVB, Von, Battle, Gone, and Viceroy;[68][69] he also had subsidiary arrangements with labels such as King and Deluxe. Written by the group's manager Danny Welch it featured the lead voice of Jimmy Weston Such composers as Rodgers and Hart (in their 1934 song "Blue Moon"), and Hoagy Carmichael and Frank Loesser (in their 1938 "Heart and Soul") used a IviiiV-loop chord progression in those hit songs; composers of doo-wop songs varied this slightly but significantly to the chord progression IviIVV, so influential that it is sometimes referred to as the '50s progression. Much of the album had a doo-wop flavor. His string of hits included: "I Promise to Remember", "The ABC's of Love" and "I'm Not a Juvenile Delinquent". This page was last edited on 17 January 2023, at 03:56. The song quickly charted as the number one R&B song in the United States and reached number six on the pop chart in 1956,[96][97] becoming the number one pop hit in the United Kingdom as well. [111], Although Italians were a much smaller proportion of the Bronx's population in the 1950s than Jews and the Irish, only they had significant influence as rock 'n' roll singers. [59] The record labels, record distributors, and nightclub owners of Chicago all had a part in developing the vocal potential of the doo-wop groups, but Chicago doo-wop was "created and nourished" on the street corners of the city's lower-class neighborhoods. He soon had his own independent radio show, on which he introduced many doo-wop acts in the 1960s to a wide audience, including the Four Seasons, an Italian American group from Newark, New Jersey. #122 of 1,902. [136][128], The history of modern Jamaican music is relatively short. [58] The Chicago record companies took note of this trend and scouted for vocal groups from the city that they could sign to their labels. [167], By 1963 and 1964, proto-punk rocker Lou Reed was working the college circuit, leading bands that played covers of three-chord hits by pop groups and "anything from New York with a classic doo-wop feel and a street attitude". HBO Max has just released a reimagined spinoff of the popular, long-running kids show "Scooby-Doo." [8][9], Hit songs by black groups such as the Ink Spots[10] ("If I Didn't Care", one of the best selling singles worldwide of all time,[11] and "Address Unknown") and the Mills Brothers ("Paper Doll", "You Always Hurt the One You Love" and "Glow Worm")[12] were generally slow songs in swing time with simple instrumentation. The group's only big hit "One Summer Night" came the summer of 1958. the 10/12 Board [118], Jerry Blavat, a half-Jewish, half-Italian, popular deejay on Philadelphia radio, built his career hosting dances and live shows and gained a devoted local following. All of a sudden, everywhere you turned you'd hear kids rapping. The Four Knights' "Take Me Right Back to the Track" (1945), the Cats and the Fiddle's song "I Miss You So" (1939),[16] and the Triangle Quartette's even earlier record "Doodlin' Back" (1929) prefigured doo-wop's rhythm and blues sound long before doo-wop became popular. Danny Kennedy aka m4hdetroit (Founder) Katelyn Barrows (Co-Founder) Seth & the Janitors Danny & the ~ Ron Wynn, All-Music Guide Get A Job was recorded by the [157] It was the small independent record companies that recorded, marketed, and distributed doo-wop music. Perfect E learn helped me a lot and I would strongly recommend this to all.. [82], The Jaguars, from Fremont High School, was one of the first interracial vocal groups; it consisted of two African Americans, a Mexican American, and a Polish-Italian American. WebDoo wop had its roots in rhythm-and-blues and gospel music; indeed, many of these groups are also classified as 1950s-60s R&B; or soul. From there he went to WRCV and then around 1956 to WIBG, where over 70 percent of the radio audience in the listening area tuned in to his 610 p.m. If you grew up in Philadelphia in the 50s, you danced to The Orioles, The Moonglows, The Penguins, The Five Satins and a lot more as the City of Brotherly Love along with its big brother, New York City became the home base for street-corner vocalization. It became known as doo-wop. Some say doo wop is a form of Learn more WHY doo Services Service portfolios according to your needs More rising to no. WebPages in category "Doo-wop groups" The following 195 pages are in this category, out of 195 total. Jake Carey passed away in 1996, and Zeke Carey died in 2001. 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